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Official Broadway League sites:
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| First Preview: | Nov 11, 2004 |
Total Previews: | 31 |
| Opening Date: | Dec 09, 2004 |
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| Closing Date: | Jun 26, 2005 |
Total Performances: | 229 |
| Production Staff [See More] |
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| Produced by James L. Nederlander, Clear Channel Entertainment, Kenneth D. Greenblatt, Terry Allen Kramer and Martin Richards; Associate Producer: TGA Entertainment, Ltd., Leni Sender, Bob Cuillo and Kathi Glist |
| Book by Harvey Fierstein; Music by Jerry Herman; Lyrics by Jerry Herman; Based on the play "La Cage Aux Folles" by Jean Poiret; Musical Director: Patrick Vaccariello; Original Orchestrations by Jim Tyler; Additional Orchestrations by Larry Blank; Dance Music Arrangements by David Krane |
| Directed by Jerry Zaks; Choreographed by Jerry Mitchell; Associate Director: Marc Bruni; Assistant Choreographer: Robert Tatad |
| Scenic Design by Scott Pask; Costume Design by William Ivey Long; Lighting Design by Donald Holder; Sound Design by Peter Fitzgerald; Hair and Wig Design by Paul Huntley; Associate Scenic Design: Orit Jacoby Carroll; First Assistant Scenic Designer: Emily Beck; Assistant Scenic Design: Tobin Ost, Brian Russman, Erik Flatmo, Lauren Alvarez, Leiko Fuseya and Tal Goldin; Associate Costume Design: Tom Beall and Martha Bromelmeier; Associate Lighting Design: Karen Spahn; Assistant Lighting Design: Hilary Manners and Mike Berelson; Associate Lighting Designer / Automated Lights: Warren Flynn and Melissa Silver; Assistant Sound Design: Janet Smith |
| General Manager: 101 Productions, Ltd. (General Managers: Jeff Wilson, Wendy Orshan; Associate General Managers: Dave Auster, Elie Landau); Company Manager: Penelope Daulton; Associate Co. Mgr: Janice Jacobson |
| Production Manager: Arthur Siccardi and Patrick Sullivan; Production Supervisor: Steven Beckler; Stage Manager: Michael Pule; Assistant Stage Mgr: Travis Milliken |
| Musical Coordinator: Michael Keller; Conducted by Patrick Vaccariello; Associate Conductor: Jim Laev; Concert Master: Paul Woodiel; Violin: Mary Whitaker, Victor Heifets and Dana Ianculovici; Cello: Peter Prosser and Vivian Israel; Lead Trumpet: Jeffrey Kievit; Trumpet: Trevor Neumann and Earl Gardner; Trombone: Michael Seltzer and Randy Andos; French Horn: Roger Wendt; Reeds: Ted Nash, Ben Kono, David Young and Ronald Jannelli; Drums: Ron Tierno; Percussion: Dan McMillan; Bass: Bill Sloat; Keyboard 1/Accordion: Jim Laev; Keyboard 2: Maggie Torre; Guitar/Banjo: J.J. McGeehan; Music Copying: Kaye-Houston Music |
| Associate Lighting Designer / Automated Lights: Chic Silber |
| Casting: Jim Carnahan; Press Representative: Barlow-Hartman Public Relations; Dance Captain: Nathan Peck; Production Assistant: Emma Casale-Katzman, Chad Lewis, Alex Libby and Chris McGriff; Advertising: SPOTCo, Inc.; Photographer: Carol Rosegg |
| Swings: Leah Horowitz (Swing), Clark Johnsen (Swing), Paul McGill (Swing) and Eric Stretch (Swing) |
| Standby: Bryan Batt |
| Understudies: Adrian Bailey (Francis, Jacob), Bryan Batt (Albin), Joey Dudding (Jean-Michel), Merwin Foard (Edouard Dindon), Patty Goble (Jacqueline, Mme. Dindon), Dale Hensley (Albin), John Hillner (Edouard Dindon, Francis, Georges), Leah Horowitz (Anne), T. Oliver Reid (Jacob), Dorothy Stanley (Jacqueline, Mme. Dindon), Will Taylor (Jean-Michel) and Emma Zaks (Anne) |
| ACT 1 | Sung By |
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| We Are What We Are | Les Cagelles |
| A Little More Mascara | Albin and Friends |
| With Anne on My Arm | Jean-Michel and Georges |
| With You on My Arm (Reprise) | Georges and Albin |
| The Promenade | Townspeople |
| Song on the Sand | Georges |
| La Cage aux Folles | Albin and Les Cagelles |
| I Am What I Am | Albin |
| ACT 2 | Sung By |
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| Song on the Sand (Reprise) | Georges and Albin |
| Masculinity | Georges, Albin and Townspeople |
| Look Over There | Georges |
| Cocktail Counterpoint | Georges, Edouard Dindon, Mme. Dindon, Jacob, Jean-Michel and Anne |
| The Best of Times | Albin, Jacqueline and Patrons |
| Look Over There (Reprise) | Jean-Michel |
| Grand Finale | Full Company |
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